Showing posts with label food culture nyc. Show all posts
Showing posts with label food culture nyc. Show all posts

Friday, May 25, 2012

The Hamptons & Long Island Homegrown Cookbook Talk at the 92nd St Y




As the author of the exciting new book, The Hamptons & Long Island Homegrown Cookbook I was to provide a reading and talk, scheduled for Wednesday, May 16th, at the prestigious 92nd St Y, the venerable uptown temple to all things cultural.
The honor and opportunity were not lost on me for a moment.

Just like Gotham’s streets that pulse with eclectic frisson, so too does the networked connections palpitate with a fizzy six degrees of separation.  I am so fortunate that my Aunt Margaret’s high school friend, Helen Conover, became my friend over the years and because Helen works at the Y in the Science arena, as soon as the book was on the road to publication, she slotted me and the book in for a reading and talk.

Thus, the event came about, just like that—in a magical-New-York-way!
It was billed as “How Does a Chef Do Science?”
I was accompanied at this historic event by two of the outstanding chefs featured in the book:
Chef Jason Weiner, co-owner and executive chef, Almond Restaurants Bridgehampton and NYC
and
Chef Deborah Pittorini, owner and executive chef, Cuvee Seafood & Grille Restaurant the North Fork.

The theme was to illuminate how “cooking is all about chemistry—how chefs change their food’s in many ways -- to learn the science chefs employ to transform raw ingredients into delicious food!”
And in so doing, I told the background of the book’s theme: the importance and romance of using homegrown, sustainable foods – lovingly grown, tended and made by local food artisans to produce the myriad and exciting variety of recipes the chefs create.
I wove the story of how chefs, like scientists, observe the world around them and share their observations and their work. 
The program was 90 minutes.  I was to talk for approximately an hour.  A frightfully long time to speak for anyone but Castro! 
On the other hand I felt I owed it to the amazing talent and dedication of the chefs and farmers and fisherman and breeders – and photographers -- who contributed to the book, to do my very best, so I just jumped into making a PowerPoint presentation.
I started writing the text, figuring no one else could do that, adding in images too that would help tell the food stories that are at the heart of the Homegrown book, all the while asking around as to who could help me make it look brilliant – or in PPT parlance: “a killer presentation!”
It was getting itchy-close to the date and I still hadn’t found the PPT magician and then while attending the Frank Cabot tribute at The New York Botanical Garden, Garden Glamour blog post to Frank Cabot Tribute and I ran into EunYoung, Silver Flower Design who I’ve had the privilege of working with in the past – both in the garden for Duchess Designs – she is a brilliant horticulturist, landscape architect and creative artist who also works at Randall’s Island Park as Horticultural Manager and on some of my previous speaking engagements.  (She once famously said, “I will make the Powerpoint presentation so good, it will make them cry.”  That’s my kind of girl! What PPT voodoo!)
I had just returned from scooting over the Azalea Garden and met up with a small group of swarming the tulip beds and display gardens while the reception was held following the Cabot tribute.
Hugs all round and then, as I’m catching them up on my preparations for the Y event, and need for help, it was another New York minute before EunYoung said, “I’ll do it!” 
Really?!  I never dreamed I would be able to secure EunYoung’s artistic and detailed input.  Before she came to, we made a date to meet and she helped me polish it all.
There was so much going on (home renovation, garden design, writing, preparation for the Y event including getting books to sell and sign, online promotion with the Y, getting the names of the restaurants and the chefs correct, securing an adapter for my Mac from the SoHo Apple store, sight inspection, cooking demo prep for the chefs, i.e. what they need in terms of utensils, plates, appliances, etc., site-inspection) that constrained me from practicing as much as I wanted to – and from sending personal invites to family and friends.
I promised myself I would get into fighting shape for the big night – lots of sleep, healthy living, workouts, including more yoga, and a massage.  This was not to be. In fact, I was in reverse!  Several nights leading up to the event I didn’t event get to sleep till 2 am or 6 am.  I was so busy I didn’t get to work out. The only massage I was able to squeeze in was a quick one up on 19th Street, a rather plain vanilla small-room joint instead of a relaxing one at home…
On the way back from that squeezed-in head and heart therapy, I stopped at Black & White and in no time, the funny, knowledgeable salesman and foodie, had me in a new dress, complete with garden flowers embroidered on neck and hem J and shoes for the event.  I was buying confidence.
The day of, I did get ready fairly early, practiced more than a few times.  Doug Wright, the social media guru and supporter, was Tweeting early on about the event and I did my best to blog and Tweet (back) and post news to my Examiner.com Food & Drink column.
Despite a very bad hair day and shaky legs, my husband Bill was most kind and supportive upon arriving at the apartment and said I looked beautiful and sounded good.  (Oh the love fibs – but boy did I appreciate it.)
After I made sure Mother was on her ferry into town from the Garden State, Bill loaded up the hand truck with the books and we were out front hailing a cab on the way to pick Mother up at the ferry dock on 35th Street before heading on to the Y. In the cab uptown, I was trying to answer emails and last minute queries from the chefs, while practicing.  
We were directed to the “wrong” elevator and then had to lift the boxes of books into the other side of the building and at last, got to the assigned room.  There was Helen, looking great and confident.  I met the tech manager I’d been working with, and all seemed in order. So we got the kitchen and utensils ready – I washed them and Bill and Helen got them out on the table and kitchen counter.
Soon the guests were entering to be seated.  I was squealing with joy every time family or friend came in: Derval, Mary, Denine and John and Amy too, not to mention Mary Ann, Doug and Tristan and Janet.  It ended up it was a full room of attendees. Whew.
And then I was speaking.  Not loud enough for some who were cupping their ears in the back (OK, that was Mother!) So I tried to shout/talk louder but to me I do talk loud!   (Everyone else says I have a quiet voice. I tell Bill better to have a wife with soft speech no??)
The PowerPoint went off very well – even the video I inserted into three of the cooking and garden segments.  People looked engaged.  All good. Until the little old man in the front row says out loud, “All right.  When are we getting to the food part?!” 
While stunned, I say, to him, but for all to hear, “We are getting to that, but first the background is important.”  He is subdued, but as I soon learn, not for long.  He pipes up again, all too soon. “Enough already, what about getting to the food.”  So now I’m just bristling about his very bad manners, putting the others and me in such an uncomfortable position. Another audience member who was furiously taking notes, and perhaps fearing I might succumb to “have-to-taste-now-rude-man” she says, “No, this is very important and interesting.”  So now I’m forced to look at him with my best hairy eyeball/nun stare (his fat self leaning on his cane for support) and direct him to either listen or leave.  I said it in a very nice way, mind you.  He wisely chose to leave.  I was slightly unnerved as this was surreal and completely unexpected.  Later, attendees came up to me, complimenting me on how I graciously handled this beast and confidently put him in place.  I didn’t quite share that sense of confidence but glad they thought so. Now I know what Jay Leno must feel like!
Back on track, I completed the main part of my talk, moving on to the chefs. For this, I read part of the profile I wrote for the book, introducing Chef Deborah and then Chef Jason. Both were excellent speakers, handily addressing the audience with style and smarts and demonstrating a recipe they provided for the book. There was no sign of the hurdles they’d overcome in terms of schedule, the kitchen and lack of their prep tools and appliances.  Chefs are adaptable and cosmopolitan.

Chef Deborah prepared a pesto arugula on pasta that was a huge hit with the guests.  She talked through how she is able to source all the ingredients near her restaurant in Greenport on the North Fork.  She is funny and sophisticated and engaging.  

Chef Deborah then mixed up lavender mojitos using her simple syrup made from locally grown lavender.  Wow. This was amazing. (And she gave me some of the extra syrup to take home.  I’ve been enjoying it ever since.)
Chef Jason prepared his English Pea and Mint Soup that was a knock out.  People were swooning.  In the book, the recipe includes Parmesan flan and smoked bacon.  This night, chef Jason adapted for the Y – and in the process, further demonstrated how a chef changes the food ingredients he works with as well as the creative process.  He’s a natural in front of an audience.  

There was a lively Q&A and more tasting.  Some friends helped pass out the food and take up the plates and cutlery afterward. So nice.  
And then, it was book signing and photos and hugs.
Me & the Wrights: Tristan and Doug


Mother, Amy & John




Amy, Mother & me





Helen, from the Y, Mother, me

Before long, we were taking Mother back to the ferry, where Bill waited with her and Mary Ann I continued back downtown, home…
I sincerely thank everyone who attended.  I sent thank you postcards to all, addresses courtesy of the Y.  I thank my family and friends for their unbridled and generous support on such a big night for me and the book’s launch. I thank chefs Deborah and Jason for their contribution. I thank Helen and her team for a wonderful opportunity and a successful evening.
My only regret? I wish my father were here to have seen it with us.  I know he’s looking down from heaven but ….








Friday, September 16, 2011

Q&A with Bill Grimes, Appetite City author & TV show host

Food Historian, book author, cultural curator, former New York Times restaurant critic -- Bill Grimes has earned a lot of notches on his food belt. 

Add Entertainer to that championship belt. 

Bill Grimes, Author, Restaurant Critic, TV Host: Appetite City

Based on his best-selling book: Appetite City: A Culinary History of New York published by North Point Press, “Appetite City” TV is a show about the stories behind the iconic food New Yorkers love. 
See August Appetite City premiere coverage on Master Chefs blog below and on Examiner.com Food and Drink: http://tiny.cc/avgk9

The stories Bill narrates makes the food all the more curious and kinetic.

Bill is an engaging, smart, affable expert.  He has an impeccable pedigree for his role as master storyteller.
On his weekly TV show, “Appetite City,” Bill takes the viewer on a fun food journey.  No imperial tutorial or snobby know it all. 
Bill loves food culture and clearly wants to share his unreasonably good fortune being at the front of the food line. 
Think sitting around the dining table listening to him eagerly spin the history of food and restaurants in New York City, blended with witty gastronomic anecdotes, whipped frothy with urbane charm.

But with actual footage and images to add spice and depth.

Recently, this reporter was privileged to interview Bill Grimes.

How did you come to do the TV Show, Appetite City?

It’s funny because I knew the program manager, Diane, who was developing a new program with the station NYC Media, focused on the cultural values of New York City. 
They were intrigued with my New York City historical work. They approached me.
I started by going out with Top Chef Masters host, Kelly Choi, www.bravotv.com/bio/kelly-choi who conducted three-minute interview spots with me at historical hot spots like Times Square.  They soon determined the spots could be expanded.
Together, NYC Media and I brainstormed what to cover.  Certain things are obvious: for example, Street Food, GreenMarkets, Chinatown, oysters. 
Then they had to be sure I’d be good on camera!

The current season is eight episodes, broadcasting at 8:30 pm every Thursday.  The day after they can be seen online. There is an enduring life cycle to the shows.

What is a typical Day in the Life of production like for you?

During the taping season, we typically start at 9 am and I interview the subject. We work many months in advance. That’s why you’ll see me in heavier coats on some of the first episodes. There is b-roll footage shot.  We work anywhere from two to three hours up to five or six hours a day. We’re frequently hopping all around the city!
Essentially, I am talking to the resident expert of the day (profiled) on the show. For example, the deli owner Arthur Schwartz or Chef Marcus Samuelson (http://www.redroosterharlem.com).
I do stand up at different locations.
There is no script.  I fill in the background and history of the place for the viewer.

How do you choose your subjects and how is that different, if at all, how you chose the restaurants to review while at The New York Times?

While the themes and culinary chapters are gleaned from the book, the resident expert subjects featured in each show are new.  The producers and the team research and select the resident experts for each show.
I don’t do any editing.  They do all that.  I trust them to make decisions. I didn’t want to do any of that. Leslie Farrell is a brilliant producer and director and a great collaborator!
At the Times, I reviewed the restaurants and topics I wanted to cover.

What can you do on TV that you can’t do in print? (besides the obvious!)

TV opens up the picture.  At the risk of being obvious, TV can provide those great images from The Library of Congress, for example.  It’s a big thrill to see the romance of the history, the romance of time travel – to feel as one would in the 1890’s. With the footage and pictures we can see what people did.
Food is ephemeral. So we can’t taste what it was like then.  But here we are recreating episodes that capture the other senses of the sight, and sound surrounding the aura of the food. That is enchanting.

Until recently, we didn’t take care to take stock of our culinary culture.  I got started researching menus at the Library.

Since you’ve covered culture, arts and theater, your are in a unique position to cover food as art. Do you agree that food is an art form or is there a food culture?

Yes, and no.  Yes, but it’s closer to Craft.  It starts out as workaday form of cultural expression.  Think about it as a sculpture and painting? Hardly compares to bread or dough. While cooking is one of the greatest forms of expression, some would argue it’s an insult to the Picassos of the art world.  It’s a pointless argument.

In the same way, go back to the Renaissance.  The people who created the fountains in the public square or tapestries were craftsmen -- laborers with a particular skill.  There was no distinction between high art and craft.  Artist as genius – as privately inspired  --came about much later. 
This is frustrating for food historians.

How has the reporting about food changed with the emergence of a Foodie culture and bloggers, where everyone seems to be an expert?

The emergence of the Foodie culture has given rise to a great interest in food that is close to the land, to heirloom breeds and animals. The internet has allowed us to transmit that interest and be our own food and restaurant critic.  (This phenomenon) is still in its infancy. Some of the food news is terrific – there is great enthusiasm. Some of it is annoying.

What do you think makes a good food critic?

Ultimately, we each make the decision to what tastes good. 
Food criticism has certain set of standards and a knowledge base.  A reader has a feel for the critic’s way of thinking which is very useful as a guide – as a way of describing the eating experience. They have to trust the critic.
A good food critic is someone who can express in words the pleasure and sensations of food; who has a wide experience with food – traveled and experienced different food cultures and made food for himself…. Has a feel for performing the technical aspects of cooking. And to have the stamina to go out every day, every night to cover the restaurants. And to keep up with the trends.

What is your favorite piece of food and drink?

No one single story stands out.  I’ve enjoyed them all. I loved the out of town coverage I got to do on breaks from the regular column. I covered different cultures and restaurants in London, Paris. I wrote features for the Times’ Dining Section like, dining around Texas for hamburgers in Waco!

How have your books impacted the world of food?

Of the two books I’ve written, I will say that my book about cocktails, “Straight Up or On the Rocks: The Story of the American Cocktail” IS a classic of its kind.  Now, all that is happening. But at the time, it was very much ahead of its time.  All the bartenders I talk to use it and refer to it, which makes me pleased and proud. 

It may be a bit premature with regard to “Appetite City.” The information is solid and it hadn’t been done before.
The book began with the publisher saying I should take advantage of my position as restaurant critic and do a history of restaurants in New York. 
I had done a show for the New York Public Library about menus and that in turn sparked material for dining out and food.
With the TV show, I get to reach a wider audience.  We take a chapter and expand each one, including many more aspects or elements.  We’ve just hit the tip of the iceberg.  We can do BIG things.

What do you see for the future of food? Any upcoming trends on the horizon?

There are mega food trends such as globalization that reshape the future.  By that I mean there is an awareness of other cultures now. In the past, France’s food culture reigned supreme.  But things have evolved and there is a great democracy – a United Nations of food– and that is exciting!  As a trend, technology will only intensify this mega trend… There is an ability to transport ingredients globally.  For example, you can readily get fish from Australia or New Zealand. There is a global demand for this -- for those not satisfied by the Alice Waters’ back to the land sensibility.

The sense of culinary regional distinctiveness that preceded the industrialization or manipulation of food before World War II in the US wiped clean the slate of cultural food memory, unlike Italy or France. 
We are just now finding our way back.  It was all kicked to the curb.
For a lot of immigrant food cultures here, the heritage dishes meant poor and poverty and they wanted to become modern – to have abundance. So they dismissed their way of cooking to embrace what they thought was American.

In this country, there was a perceived reason for people to devote themselves to plant hybridization.  Some new breeds are better.  But then on the other hand, there are certain breeds of pig in Germany that were almost extinct because people became fearful of fat!  Someone made the effort to rebuild the population and continue breeding. Why? Because the meat is so delicious.

Appetite City broadcasts new episodes until September 29th on NYC Media NYC TV Life, Channel 25 on Time Warner and/or Channel 22 on Cablevision and online at http://tiny.cc/zjqul and available to download for free from iTunes.

Oh -- and Bill and his wife recently returned from what he described as a very non-foodie vacation where he says outside of Amish bakeries, it was a wasteland of franchise restaurants. 

Nice to have back in Appetite City, Bill.  New York loves you….

Be sure to stock Bill's two game-changing food and drink book.  Not unlike the man himself, they are fun and smart, filled with great stories:




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Wednesday, August 10, 2011

Appetite City Premieres August 11, Hosted by William Grimes


William Grimes has a lot to say about food and restaurants. 

Grimes is a food historian, author, a former New York Times restaurant reviewer and host of TV’s new series, “Appetite City.”

Based on the topics highlighted in his best-selling 2009 book, “Appetite City: A Culinary History of New York” the new TV series premieres Thursday, August 11 at 8:30 pm on NYC life (Channel 25). 

An advance copy of Thursday’s show, which is devoted to Soul Food, reveals a fascinating format:  there’s a dash of history—intriguing sepia toned images and news footage; a pinch of celebrity chefs—Red Rooster Chef Marcus Samuelsson; and a dash of gastronomy historians: Sarah Lohman (http://www.fourpoundsflour.com/
and Frederick Douglass Opie (http://frederickdouglassopie.blogspot.com/

Grimes threads the food story strands peppered with the distinct, unique flavors of architecture, immigration, real estate, theater, interior design, politics, fashion and celebrities, to create a rich mix of New York history. 

Why didn’t someone think of this sooner?  Food lovers will be addicted to Appetite City as they are to their local deli or corner café.  After all, foodies do believe earth revolves not around the sun but around the dinner plate!  Future episodes explore the New York dining culture of Delis, GreenMarkets, Street Food, Oysters, Diners, Chinatown and Fine Dining.
But the main ingredient that makes this program simmer is Grimes.  It’s his boundless knowledge of all things food.  He knows his falafel carts from his pizza trucks  -- and all things served on a white tablecloth.  He’s got the chops!  Viewers will discover he can lead them, Ken Burns-like through the past, yes, but he also can tempt culinary curiosity with the now, as he does with Chef Samuelsson and in upcoming episodes with 11 Madison and the GreenMarkets. 

Appetite City presents the history of New York City through the culture of food.  The show is both a tasty time capsule and a delicious passport. 

Be sure to tune in for the Appetite City premiere, Thursday, August 11 at 8:30 pm for the evolution of soul food, “from the glory days of Harlem” to today’s Sylvia and Red Rooster restaurants.  Appetite City can be seen on NYC life, Channel 25 and/or Channel 22 on Cablevision. Appetite City will also be available to watch online on the NYC Media Video on Demand player – nyc.gov/vod and through the NYC Media app, available to download for free from iTunes.

New episodes will be added each week.
NYC life with its 1.5 million viewers per week is the “flagship channel” of the NYC Media network.  New York is diverse, exciting and smart: Gotham deserves this entertaining, quality content.

Watch a promo here: http://tiny.cc/3j4d0
Twilight @ Tavern: Film Screening
Watch a screening of Appetite City under the stars. Appetite City tells the history of New York through its food. No advance registration. Free. All ages welcome.
Date: Wednesday, August 10, 2011
 Time: 7:30 PM – 10:00 PM